Skip to main content

Using "Moving Pictures: Acting" in our Fascination Project

 While there were many avenues, we could have pursued in how we implemented acting in our Fascination Project, we ended up deciding to go with a classical approach. Or at least that was the theory at first.

 We started by having a set script and wanted that to be the dialog in the final cut. However, we quickly realized how difficult that could be with the time constraints we had. In order to go the Classical acting route, we would have to know the script in and out. The reality was that we just weren't going to be able to pull it off with the time we had. That's besides the fact that not only do you have to remember the script, but we would also have to time all the lines together.

This is when we made a pivot to a more Method acting framework. We had specific lines that we felt were funny and were must haves. We had each character's personalities worked out, so as long as it stayed on theme, we began to go a more structured improv route. We just used the heart of our written lines and would branch out from there. It made filming much smoother and honestly added a lot of natural humor that we didn't realize we'd miss out on. I'm not quite sure if the acting style we developed would hold up if we had to have longer scenes, but it worked perfectly for our short work.





  

Comments

Popular posts from this blog

Jaws reflection

 When it comes to suspense, there is no more iconic film than Jaws. The shark themed thriller uses a wide variety of tactics from sound and music to cinematography that would make most anyone sweat in their seat.  Who wouldn't be able to recall the famous heart pounding bass and cello that is the Jaws theme. It is such an iconic rhythm and for good reason. When it appears in the film its hard not to get excited. Pair that with switching point a view between Jaws and their victim, and you have a perfect formula for thill. One of the most creative parts of Jaws is how they picture the legendary man-eater, in that they don't. With this film being developed in 1975, there would really be no way of showing Jaws without it looking cheesy and, in all honesty, it does not hold up well. However, showing the shark isn't largely necessary. Reflecting reality, what makes sharks so scary to people is that you really don't know where they are. The film makes it so you're on edge ...

Lost in Translation Reflection

 Sofia Coppola's rom com "Lost in Translation" takes on a melancholy theme to the genre. It uses changes of tempo and character contrast to build a large part of this theme. While not overly hilarious it does have its charming moments both in mix ups fitting in with Harris attempting to fit into Japanese culture and interactions with Charolotte.      As alluded to before, Lost in Translation is designed to be slower film. I believe that this largely plays to the pieces advantage. Harris is supposed to be going through a midlife crisis and has no idea what he wants to do with his life. While this may lead some to completely blow up in panic, Harris goes the other route and lulls out of caring. Meaning the slowness of the plot adds to the dullness Harris is feeling in his life. Of course, this begins to change when he meets Charlotte, but all the same their love is more romantic friendliness than overly passionate which ties easi...

Inspiration behind our Fascination Project

 Our Fascination Project revolved around being a goofy sports comedy. We also wanted to incorporate some elements of the films we have watched in class. We found that Wes Anderson's style would mesh well with our Will Farell inspired plot. When writing our film, we wanted to include dialog that seemed as if it would come out of a Farell film. Naturally this led to a lot of screaming and belittlement. A common dialog theme Farell encompasses is very rash comments that lead to overreactions. We took a lot of inspiration from "Kicking and Screaming" and "Semi-Pro". As far as our cinematography goes, we tried our best to show off some of Anderson's iconic shots. Some of the highlights being a symmetrical walk-off, a top-down shots and over the shoulder views. Since the majority of our film takes place with the characters sitting down at a table, these shots allowed us to maintain some movement to prevent any stale moments.